By the time the patrol cars pulled away, the roses were watching. I stood in the doorway of the white colonial with the blue shutters I’d painted at twelve, the house my mother had just tried to erase with a sentence and a forged signature. Elaine’s house. My house. Forty‑eight hours, she’d said, as if grief could be boxed and labeled like winter coats. Forty‑eight hours to dismantle the only place that had ever felt like safety instead of performance, to make room for Stephanie’s curated life and my parents’ curated narrative. The porch boards creaked under my feet, the same way they had when Elaine would tap the rail and say, “They’ll come for this, you know. People like that always do.” I hadn’t believed her then. I believed her now, with a folder of documents pressed to my ribs like armor and a deadline ticking in my sk… Continues…